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I've really forgiven people in my life and forgiven myself. "This is the truest thing anyone can do," says Pat Lee, quoted in the story "Library helps memoirists tell their story" (Alex Parker, Chicago Tribune 10-16-09) I wanted it to sound natural, he said.

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"I started out on this project, viewing it as a way to leave something for my children.We remember a vivid person, a remark, a sight that was unexpected, an occasion on which we felt something profoundly. We become more exalted in our memories than we actually were, or less so.The interior stories we tell about ourselves rarely agree with the truth.I started out the way I was raised, in the old-time mountain style, and Ive never wavered from it. I think that means a whole lot to the audience the people knows exactly what to expect. As everyone has said, something happens in that booth, where your very private thoughts that rumble around in your head and your memories suddenly come forth, and the voice that Dave just talked about, thats your soul.Old-Timer, Still Telling Mountain Tales Charles Mc Grath, NYTimes, about Ralph Stanley, old-time mountain music artist, and his new memoir, Man of Constant Sorrow: My Life and Times, written with Eddie Dean My Words Are Gonna Linger: The Art of Personal History , ed. "At last, a collection that shows the "why, what, and how" behind memoir as legacy. Somehow it reaches down and touches that part of us thats not often touched....All demonstrate the power of the word to salvage from the onrush of life, nuggets worth saving. bonds people together far more than shared chromosomes . And it had a profound effect upon me." ~Mary Caplain, about her experience doing a 40-minute interview with Story Corps (link below)I can't stress enough how different it is to write about the real and the unreal.

~ Tristine Rainer, author of Your Life as Story and Writing the New Autobiography"Do I -- do we -- remember only those scenes that fit neatly into the central narrative in which we're most invested, the one that dovetails most cleanly and neatly with the sense of self that we've chosen or that's been imposed on us by the people around us? When I started writing my memoir my whole metabolism changed.

By better understanding how life stories are built, this work suggests, people may be able to alter their own narrative,in small ways and perhaps large ones..." ~ Benedict Carey, Science section, The New York Times"This packrat has learned that what the next generation will value most is not what we owned but the evidence of who we were and the tales of how we loved.

In the end, it's the family stories that are worth the storage." ~ Ellen Goodman, (Boston Globe via Deseret News, 4-12-02)"Memory revises itself endlessly.

Backstories about the process of getting the stories into print will be of particular interest to those who want to help others tell their life stories. (Or start here at Broadhead and click on Welcome to Pine Point.) Savor.

"At last, a collection that shows the 'why, what, and how' behind memoir as legacy." ~ Susan Wittig Albert, author of WRITING FROM LIFE, founder of Story Circle Network Welcome to Pine Point, an interactive documentary, part scrapbook, part video, part book, part community memoir. STING: "Well, I've never thought that I would write a book, frankly.

Paula Stallings Yost and Pat Mc Nees, with a foreword by Rick Bragg (.95). Spanning more than a century, these intriguing reflections of personal as well as global social and political history are told in the unique voice and viewpoint of each storyteller." ~ Susan Wittig Albert, author, Writing from Life, founder, Story Circle Network This anthology sings with Walt Whitmans spirit of democracy, a celebration of our diversity. "I think when we dont speak things out loud, when they stay inside of us, they take on a different meaning. I think when we speak and hear our own words out loud and remember things behind the words and the feelings, it takes on a different meaning.

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