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Then there’s Joe, radiating so much oracular dignity that he seems to have stepped in from another universe, or at least another play, as David Hughey plays a particularly demanding customer who is also the owner of Joe’s Pie Diner.
The book isn’t much, the music better, the female performances better yet.
Risk-taking increases between childhood and adolescence as a result of changes around the time of puberty in the brain’s socio-emotional system leading to increased reward-seeking, especially in the presence of peers, fueled mainly by a dramatic remodeling of the brain’s dopaminergic system.
Risk-taking declines between adolescence and adulthood because of changes in the brain’s cognitive control system—changes which improve individuals’ capacity for self-regulation.
Her pregnancy test in the diner where she works sets the plot into motion, with the three waitresses huddling to share the bad news — she is going to have a baby.
“Funny how one night can ruin your whole life,” she sings, with the clipped fatalism of someone who has never expected her life to get much better.
This article proposes a framework for theory and research on risk-taking that is informed by developmental neuroscience. First, why does risk-taking increase between childhood and adolescence?
Second, why does risk-taking decline between adolescence and adulthood?
These changes occur across adolescence and young adulthood and are seen in structural and functional changes within the prefrontal cortex and its connections to other brain regions.
The differing timetables of these changes make mid-adolescence a time of heightened vulnerability to risky and reckless behavior.
But, along the way, the play must address and resolve its issues of spousal abuse, adultery and dead-end lives in addition to an unwanted pregnancy. And a whole lotta sisterly support, one of the many things the pie represents.
There is so much sisterhood that Cal the cook (Ryan G.
Dunkin, stereotypically crusty but warm at heart), who is ostensibly the boss of the diner’s otherwise female crew, complains that he is suffering from “estrogen asphyxiation.”Fair enough, but if the women weren’t so likable and engaging, there wouldn’t be much of a play.