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For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.
Susan departs from a straightforward replication of flora and fauna by concocting strange hybrids or by exaggerating features, such as piercing eyes to convey the extreme visual acuity of an eagle.They aim to challenge the notion of beauty by drawing ones own and contrasting it with the dark and the strange.As well they tell a story of fearlessness allowing whoever wears these objects of art to be transformed; bringing out inner confidence and strength.Yuval would probably say “Israeli goth” and he would be right and I would be wrong, for they are all migrating birds passing through Israel, dying here with all their glory.He doesn’t kill them, it’s important to say, Yuval is the most non creepy person I’ve met and still, I was amazed by the way he creates beauty from this death, present it, displaying it beside the bodies of young men who carry them as carrying their own death.An almost Christian image, I thought, almost poetic, Jesus in the hands of Mariah.
Mariah holding baby Jesus and already visioning his future death, alongside the bird as some kind of prosthesis accessory, exposing the unsaid – here, someone died in the hands of a very living someone.
Raised on a farm it was commonplace for Sahar to see animal carcasses, skulls, rotting fruit and vegetables and it is in this milieu of birth, death and decay that she discovered beauty in the extraordinary.
While studying at Edinburgh College of Art she found passion in high drama, Schiaparelli hats, insect art and taxidermy receiving her degree in Costume Design and specialising in Millinery.
Creates some kind of life and death erotica, horrible and beautiful.
Erotica of exploitation, defiance and embarrassment, and sadness.
At the tip of every photograph lies the materiality, the labor, the dead bird, the masculine body, the boyish body; And similarly there are the two brothers, the twins, one brother holding the other, a hug or a first grasping in front of the world; And when he spoke, I suddenly thought of a child, who must recreate a scene over and over again; The methods improves but the tongue is repeating the old saying “this is me and my brother”, pointing the truth, does things with words; or in Biton’s words “Dogan won life itself. The meticulous execution (each extra-fine brushstroke adding an important detail), the resulting life-like renditions and the consistent format (monochromatic black on white; identical one-size ceramic plates) adhere to the ethos of scientific study.