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For spectators, an interactive experience awaits: birds, caught in the moment, watch us, ready to strike or to fly away; clusters of twisted vines and treacherous spikes draw us inside.

In his meticulous photograph there is something primary, physical like a bone cracking out of skin. » Yaara Shehori The photographs & text were originally published in "The Hottest Place In Hell" magazine, May 7th, 2015 Victorian ornithologists and botanists would have heartily commended Susan Hipgrave’s remarkable series of hand-painted plates.

Creates some kind of life and death erotica, horrible and beautiful.

Erotica of exploitation, defiance and embarrassment, and sadness.

‘When I’m contemplating a new piece, I start by going through my collection of natural history books until I find something that “speaks” to me.

I work with it in terms of size and placement, and then begins the slow and meditative practice of putting paint to porcelain.

Symbolism pushed its way in, photographs with dead birds, magnificent, hurt, in a club named after the primordial singing bird; and that’s the mode of action: he approaches stranger men at the club and asks them to photograph with a dead bird. The necrophilic layer, the emotions layer, the surprise, the threat, the spectacular sight of a boy holding a bird, struck with a spotlight.

It’s a story’s geology, something needs to be done, I thought in despair.Someone could not woke someone up from its fainting, from its death; that’s almost indecent and yet I believe him; I believe this quest for beauty in all places that supposed to be covered with dirt.“This is me and my brother”, he said to me simply when describing the relationship between the young man and the bird; two non-identical twins who rolled out to the farthest edges: man and bird, live and dead; and suddenly the layers I’ve counted faded into dust.They aim to challenge the notion of beauty by drawing ones own and contrasting it with the dark and the strange.As well they tell a story of fearlessness allowing whoever wears these objects of art to be transformed; bringing out inner confidence and strength.Transmutation was the word that came to mind the first time I saw milliner Sahar Freemantle's Magpie inspired Ugly Lovely collection.